The style of beading Chitto uses in his work follows the outline of a drawing. This method is called contour beading. Filling the space from the outside in creates a halo or ripple effect as the outline of the image radiates into the background. Chitto chooses vibrant, saturated colors. He combines traditional Pueblo pottery motifs and Art Nouveau sensibilities in his designs. The artist thinks of beading more like coloring and less like sewing, but needles and thread are involved in the process. He uses both single stitch and two-needle applique to make his work, occasionally incorporating other techniques like wire wrapping and pearl knots for details.
Besides a few pieces inspired by bird photographs, Chitto’s work
features bold, geometric flowers. Floral patterns in Native work trace
back to French-Canadian traders and nuns. They shared floral motifs, and
Native beaders expanded on the designs. These floral designs evolved
over generations. Individual style and choices are reflected in subtle
decisions about the color, size, material, and shape of the beads
preferred by each tribe and then by each beader.